Author: Ian Aldridge, Progressive Legal
Author: Ian Aldridge, Progressive Legal
While you typically need permission to use copyrighted works, Australia’s fair dealing provisions under the Copyright Act 1968 (Cth) (“the Act”) allow creators to legally use certain copyrighted material without permission, provided specific conditions are met.
This is especially important for content creators, YouTubers, educators, marketers, and media professionals who regularly use third-party content. If you’ve ever asked, “Why was one of my videos taken down, but another stayed up?” Understanding what fair dealing is can help clarify why.
In this guide, we’ll break down the key fair dealing copyright exceptions in Australia, how they differ from fair use, and what it means for your content strategy, whether you’re publishing online, teaching, or promoting a brand.
Many creators mistakenly use “Fair Use” and “Fair Dealing” as if they’re the same, but they’re not. Fair use is a U.S. legal principle, while fair dealing applies under Australian copyright law, offering a set of specific exceptions that allow limited use of copyrighted material without the owner’s permission.
Under sections 40–42 of the Copyright Act 1968 (Cth), fair dealing applies to specific purposes when using “works” such as written content, music, film, or images. These include:
Each of these exceptions will be considered in turn.
(NB: sections 40-42 only relate to “works”. For “subject matter other than works”, sections 103A-C mirror the above sections. Further, s 113E of the Act provides that a fair dealing with copyright material does not infringe copyright if the dealing is for the purpose of one or more persons with a disability having access to the material (s 113E(1)).
Section 40(1) of the Act provides that a “fair dealing” of a work for the purpose of research or study, it is not an infringement of the copyright in the work.
As a general rule, you are allowed to use a “reasonable” amount of copyrighted material for the purpose of research or study. When considering whether the use of a work is a fair dealing, section 40(2) provides the matters which shall be taken into account. These are:
Despite the section 40(2) factors, the ultimate factor of which you should be wary is how much of the material you are using in your work. Section 40(5) sets out the following table which has been reproduced for clarity:
Works, adaptations and reasonable portions | |
Work or adaptation | Amount that is reasonable portion |
A literary, dramatic or musical work (except a computer program), or an adaptation of such a work, that is contained in a published edition of at least 10 pages |
(a) 10% of the number of pages in the edition; or (b) if the work or adaptation is divided into chapters–a single chapter |
A published literary work in electronic form (except a computer program or an electronic compilation, such as a database), a published dramatic work in electronic form or an adaptation published in electronic form of such a literary or dramatic work |
(a) 10% of the number of words in the work or adaptation; or (b) if the work or adaptation is divided into chapters–a single chapter |
It is important to note that the above table only applies to the use of copyright protected works for the purpose of research or study.
Section 41 of the Act provides that you can use a copyright protected works for the purpose of criticism or review and a sufficient acknowledgement of the work is made. Such acknowledgement should identify the author and the work, by title or description, from which the excerpt was taken.
It is also important that you are actually engaging in a criticism of the work, and as such the actual purpose of the critical work is vital. In TCN Channel Nine Pty Ltd v Network Ten Pty Ltd (2001) the primary judge noted the following principles with respect to criticism and review:
Section 41A of the Act provides that you can use a copyright protected works if it is for the purpose of parody or satire. The difference between parody and satire may matter. For instance, the former may require humour, whilst the latter may require criticism.
Nevertheless, the exception can only be relied upon if the parody or satire is the legitimate purpose of the author. For instance, a purely commercial purpose will preclude you from relying on the exception. A notable example is the case of Pokemon v Redbubble (2017) where it was held that clothing which had a likeness to some characters was created for commercial purposes, even with its slight parody of the character.
Section 42 of the Act provides that the use of copyright protected works will not be an infringement of copyright if:
However, if you are playing music it is not a fair dealing for the purposes of section 42 if the music is not part of the news being reported. As such, you need to ensure that reporting news is your primary purpose and the material you are using is a necessary part of reporting such news, rather than something you add on for say, the sake of cinematics.
If you’re a content creator, educator, or marketer who regularly uses copyright-protected material, it’s crucial to understand when and how Australia’s fair dealing exceptions may apply to your work. Not every use is legal just because it seems “fair.”
Before publishing content that includes third-party material, ask yourself:
What content am I using, and who holds the copyright?
How much of the copyrighted material am I including?
Is this use for public interest or personal/monetary gain?
Being aware of these questions helps reduce your risk of copyright infringement, especially on platforms like YouTube, social media, or in online courses.
If you require further copyright advice in relation to fair dealing in Australia, contact our team at Progressive Legal. All you have to do is make an enquiry below, or contact our office on 1800 820 083.
Please get in touch with us today via phone or the contact form on this page.